Roger Eberts Top 20 films van 2011

Een van de meest vooraanstaande recensenten geeft zijn visie op de releases van dit jaar.

Op zijn blog heeft de legendarische filmcriticaster Roger Ebert zijn Top 20 bekend gemaakt. In zijn top 20 houdt hij zowel rekening met de bekende Hollywood Blockbusters als de kleine 'internationale" arthouse films. Ook heeft hij een lijst toegevoegd met titels die de Top 20 net niet hebben gehaald.

Hieronder de lijst, inclusief een kleine quote uit zijn commentaar. Op zijn blog tref je een uitvoerig commentaar.

1. A Separation — “‘A Separation’ will become one of those enduring masterpieces watched decades from now.”

2. Shame — “Michael Fassbender’s brave, uncompromising performance is at the center of Steve McQueen’s merciless film about sex addiction.”

3. The Tree of Life — “A film of vast ambition and deep humility, attempting no less than to encompass all of existence and view it through the prism of a few infinitesimal lives.”

4. Hugo — “Could anyone but Scorsese have made this subject so magical and enchanting?”

5. Take Shelter — “Director Jeff Nichols builds his suspense carefully.”

6. Kinyarwanda — “[A]n independent film of great emotional impact.”

7. Drive — “‘Drive’ looks like one kind of thriller in the ads, and it is that kind of thriller, but also another and a rebuke to most of the movies it looks like.”

8. Midnight in Paris — “A fabulous daydream for American lit majors.”

9. Le Havre — “Aki Kaurismaki is a Finnish director who makes dour, deadpan comedies about people who shrug their way through misfortune. They have a hypnotic fascination for me.”

10. The Artist — “What audacity to make a silent film in black and white in 2011, and what a film Michel Hazanavicius has made!”

11. Melancholia — “The details matter less than the grand overarching mood.”

12. Terri — “He may be a kid who is fat and weird, but he’s much more than fat and weird.”

13. The Descendants — “George Clooney in one of his best performances.”

14. Margaret — “[W]hat’s important is the conflict between the young woman’s perfectionism and things as they are.”

15. Martha Marcy May Marlene — “[B]uilds on the strong Elizabeth Olsen to show how easily groups can control their members.”

16. Harry Potter and the Deathly Hallows, Part 2 — “[A] solid and satisfying conclusion.”

17. Trust — “The bravest thing about David Schwimmer’s ‘Trust’ is that it doesn’t try to simplify.”

18. Life, Above All — “The seriousness and solemnity with which she performs this task is heart-rending and heart-warming.”

19. The Mill and the Cross — “Any description would be an injustice… It is a film before which words fall silent.”

20. Another Earth — “This one doesn’t presage the end of the world, but represents perhaps our very same Earth, in another universe that has now become visible.”

De films die de Top 20 niet haalden, in alfabetische volgorde:

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