Nadat regisseur Christopher Nolan de zes minuten durende proloog van The Dark Knight Rises had laten zien, sprak hij met de LA Times. Hij geeft toe dat hij in eerste instantie niet bekend was met het door Tom Hardy gespeelde personage Bane en zijn belang binnen het Batman universum.
"I didnt know him very well. David Goyer got me a bunch of stuff on him and we looked into him. I only knew him by name, I wasnt familiar with his back-story. Hes a very cool character. And getting an actor like Tom to take it on, you know youre going to get something very special. Tom is somebody who really knows how to put character into every gesture, every aspect of his physicality in the way that great actors can. Hes a very, very physical actor. He transforms himself and its there in every movement. Hes not afraid to look at a character from the outside as well as the inside so theres a deep psychological branch to the character but also a very, very specific awareness of how hes going to use his body and his appearance to express that character too. Christian is like that too, very much.
Nolan wilde voor het laatste deel een vijand die fysiek een stuk sterker is dan de villains in Batman Begins en The Dark Knight.
With Bane, the physicality is the thing. With a good villain you need an archetype, you know, you need the extreme of some type of villainy. The Joker is obviously a particular archetype of diabolical, chaotic anarchy and has a devilish sense of humor. Bane, to me, is something we havent dealt with in the films. We wanted to do something very different in this film. Hes a primarily physical villain, hes a classic movie monster in a way but with a terrific brain. I think hes a fascinating character. I think people are going to get a kick out of what weve done with him.
De vertoonde openingssequentie speelt zich voornamelijk in de lucht af in een CIA vliegtuig waarmee gevangenen worden getransporteerd.
Tot slot gaat Nolan in op het feit dat de film zich acht jaar na de dood van Harvey Dent in The Dark Knight afspeelt. Batman is veranderd van een vigilante in een voortvluchtige.
But its not a great mystery its the jumping-off point for the film but its hard for me to articulate it. I think the mood at the beginning of the film will make a lot of sense. If I had to express it thematically, I think what were saying is that for Batman and Commissioner Gordon, theres a big sacrifice, a big compromise, at the end of the The Dark Knight and for that to mean something, that sacrifice has to work and Gotham has to get better in a sense. They have to achieve something for the ending of that film and the feeling at the end of that film to have validity. Their sacrifice has to have meaning and it takes time to establish that and to show that, and thats the primary reason we did that.
Voor de rest van het interview klik je hier. Vanaf 25 juli 2012 in de Nederlandse bioscoop.