Na het succesvolle Titanic uit 1997 duurde het ruim tien jaar voordat regisseur James Cameron weer een film afleverde. Dit was uiteraard de mega-kaskraker Avatar (2009). Het is ondertussen duidelijk dat Cameron komende jaren werkt aan twee Avatar sequels, die in 2015 en 2016 moeten verschijnen. Daarna hoef je geen nieuw filmproject van de veelbesproken regisseur te verwachten. In een interview met New York Times zegt hij alleen nog Avatar films te willen maken en als het aan de regisseur ligt, dan maakt hij zelfs Avatar 4.
Cameron zegt in het interview met de NY Times, tijdens de Beijing Film Festival: Ive divided my time over the last 16 years over deep ocean exploration and filmmaking. Ive made two movies in 16 years, and Ive done eight expeditions. Last year I basically completely disbanded my production companys development arm. So Im not interested in developing anything. Im in the Avatar business. Period. Thats it. Im making Avatar, Avatar 2, Avatar 3, maybe Avatar 4, and Im not going to produce other peoples movies for them. Im not interested in taking scripts. And that all sounds I suppose a little bit restricted, but the point is I think within the Avatar landscape I can say everything I need to say that I think needs to be said, in terms of the state of the world and what I think we need to be doing about it. And doing it in an entertaining way. And anything I cant say in that area, I want to say through documentaries, which Im continuing.
Dit zou kunnen betekenen dat hij zijn manga-project Battle Angel definitief in de ijskast stalt. In het interview zegt hij niets over dit project en spreekt hij liever over de productiefase van zijn Avatar sequels:
Weve spent the last year and a half on software development and pipeline development. The virtual production methodology was extremely prototypical on the first film. As then, no one had ever done it before and we didnt even know for two and half years into it and $100 million into it if it was going to work. So we just wanted to make our lives a whole lot easier so that we can spend a little more of our brainpower on creativity. It was a very, very uphill battle on the first film. So weve been mostly working on the tool set, the production pipeline, setting up the new stages in Los Angeles, setting up the new visual effects pipeline in New Zealand, that sort of thing. And, by the way, writing. We havent gotten to the design stage yet. Thatll be the next.
There are filmmakers that come along that are quite iconoclastic. And that Im in awe of, frankly. Zack Snyders 300. I think that was a really revolutionary film, because it was a completely deconstructive form of filmmaking in a way that nobody had done before, other than maybe Robert Rodriguez.